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Kimo Stamboel (born Mochammad Maliki Stamboel on 25 June 1980) is an Indonesian film director, producer, and screenwriter. He is known for his works on the horror genres both as himself and also as part of The Mo Brothers with friend Timo Tjahjanto.
Muhammad Stamboel, yang lebih dikenal sebagai Kimo Stamboel (lahir 25 Juni 1980) adalah sutradara, produser, dan penulis skenario asal Indonesia. Dia memulai debutnya dalam perfilman dengan sebuah film indie berjudul Bunian di tahun 2004.
25K Followers, 1,112 Following, 596 Posts - Kimo Stamboel (@kimostamboel) on Instagram: "Jakarta kid🇮🇩that makes movies!
Feb 18, 2021 · Also known as one half of the Mo Brothers, Indonesian writer, director and producer Kimo Stamboel has been a key figure in the country’s recent wave of dark black magic horror. Having worked with filmmaking partner Timo Tjahjanto on genre hits and international festival favourites including Macabre, Killers and Headshot, Kimo has won a number ...
Kimo Stamboel is known for Killers (2014), Dara (2007) and Macabre (2009).
Kimo Stamboel (born Muhammad Stamboel on 1 June 1980) is an Indonesian film director, producer, and screenwriter. He is known for his works on the horror genres both as himself and also as part of The Mo Brothers with friend Timo Tjahjanto.
Jun 19, 2024 · Prepare for a thrilling blend of horror and local folklore with Netflix’s first Indonesian zombie film, Abadi Nan Jaya (WT), directed by Kimo Stamboel.
Apr 30, 2024 · Now, just two years later, director Kimo Stamboel is tackling the next entry to the series, this time a prequel titled Dancing Village: The Curse Begins. Set in the 1980s, Stamboel and Dancing...
Muhammad Stamboel, better known as Kimo Stamboel, is the other half of the acclaimed directorial duo The Mo Brothers, along with Timo Tjahjanto (not actually brothers, just old friends and another Gen T. Listee).
Apr 29, 2024 · Cinema Scholars’ own Glen Dower sat down with director Kimo Stamboel to discuss his new horror/thriller Dancing Village: The Curse Begins. They spoke about why Kimo wanted to do a prequel and not a sequel, how to keep horror films fresh and original, and the benefits (and drawbacks) of filming in IMAX, among other topics.
