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  1. 4 days ago · THE NIGHT COMES FOR US Director Timo Tjahjanto Set to Direct Bob Odenkirk’s Return in NOBODY 2 for 87North & Universal! I've heard rumblings over the past few weeks that we are finally getting a sequel to the surprise action hit Nobody which featured Better Call...

  2. 4 days ago · Ini bukan kali pertama Putri Marino beraksi dalam film laga. Sebelumnya, ia juga muncul dalam deretan pemain di film The Big 4 (2022) karya Timo Tjahjanto. Meski demikian, Putri Marino terlihat memiliki pesona berbeda dari film-film terdahulunya untuk film Kabut Berduri-berkacamata, berambut cepak, dan terlihat intens dengan pose bersiaga sambil memegang pistol.

  3. 5 days ago · Indonesian director Timo Tjahjanto is known for the breakneck film The Night Comes For Us, currently on Netflix. His presence will presumably up the sequel’s action ante even more, ...

  4. 3 days ago · A tracker of all the new and upcoming horror movies coming out in 2024 and beyond. A Quiet Place: Day One is now playing in theaters. Welcome to the official Creepy Catalog new horror and recent releases movie database. Here we track all the new horror movie releases for 2024 and provide links for where you can stream releases from the past ...

  5. 3 days ago · has been billed as on a train”, a feisty claim, considerin­g how highly regarded Gareth Evans’ 2011 film is. Yet, the action in brutal as it was, has an exhilarati­on and showmanshi­p that’s deliberate­ly absent from Bhat’s film. The pitiless tone of is closer to something like Timo Tjahjanto’s. Us.

  6. 5 days ago · Some of the projects from Indonesia in 2024 include Borderless Fog by award-winning director Edwin, The Shadow Strays by action auteur Timo Tjahjanto, and two projects recently released: Joko Anwar's Nightmares and Daydreams and Mouly Surya's Trigger Warning.

  7. 2 days ago · Bhat, and his action directors Oh Se-Yeong (“Snowpierce­r,” “Parasite”) and Parvez Shaikh, stage some breathtaki­ngly lethal fight scenes that rival those of Gareth Evans (“The Raid”) and Timo Tjahjanto (“The Night Comes for Us”) in terms of kinetic choreograp­hy, intensity and brutality.

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